Begin typing your search above and press return to search. Press Esc to cancel.

Focal Stellia circumaural closed-back headphones

Focal Stellia circumaural closed-back headphones

Only a scant few years ago Focal was exclusively a loudspeaker and raw driver manufacturer, but they have ex­panded to embrace the headphone market with a passion. Sitting at the apex of their current model line-up, the Stellia, represents Focal’s current thinking on what makes a superlative premium, closed-enclosure, over-ear headphone. It all comes down to three words – luxury, comfort and sound.

Before we more into comfort and sound let’s look at the Stellia’s technical details. The Stellia has a single, 1.6” (40mm) full-range driver that uses Focal’s M-shape surround and the same materials, pure Beryllium, as Focal’s flagship open-enclosure Utopia headphone. It also employs the same yoke/headband system as the Utopia, which is a very comfortable, beautifully-finished, and designed to withstand all the rigors that humans can subject a pair of headphones to. 

Genuine caramel coloured leather graces both the headband and the earpads (no pleather or Naugahyde here), which fit my cranium like a soft deerskin glove. Given its wide range of adjustment, the Stellia will fit yours equally well. Even though they weigh .96 lb./435 grams, which is on the weighty side, due to their cushioning and weight distribution the Stellia don’t feel heavy, even after hour-long listening sessions. Unlike the Utopias, which arrived with only one cable, the Stellia come with a full complement of supplied accessories, including a 4ft OFC 24 AWG cable with 1/8” (3.5mm) TRS Jack connector and a 10ft OFC 24 AWG cable with 4-pin XLR connector, as well as a jack adapter and stylish two-toned travel case.

It’s hard to fault the Stellia’s sonics. Unlike most closed-enclosure headphones, through the Stellia the soundstage does not have any sense of being ‘closed in’ or limited by the enclosure. On Carl Broemel’s “4th of July” the reverb-laden guitar on the right channel seemed to extend out towards infinity.

Low level information and overall definition through the Stellia ranks with the best I’ve heard. On the very headphone-friendly Billie Eillich track, “&burn” sourced from Roon/Tidal, which has some seriously deep synth bass coupled with lots of sonic subtlety including whispers and sighs, the Stellia made it easy to hear even the most buried-in-the-mix parts. You never have to work to hear low-level detail through the Stellia.

Compared with the Sony MDR-Z1R, which are also a closed-enclosure over-ear, single-driver headphone, the Stellia had cooler midbass with low-power amplifiers. Using the Focal Arche headphone amplifier, the two headphones had more similar harmonic balances. I felt on some material the Stellia could produce a slightly larger, less laterally constricted soundstage. Both headphones had convincingly natural midranges, as evidenced on the unvarnished version of ‘Whiter Shade of Pale’ performed by Don Reeder via Roon/Tidal. But in terms of overall harmonic impression the Stellia had more matter-of-fact presentation while the Sony MDR-Z1R was more romantic. Comfort-wise I give an edge to the Stellia – the higher clamping force on the Sony made me more aware of them. Looks-wise, the Stellia are suave and just a wee bit flashy while the all-black Sony MDR-Z1R are understated and all-business.


In terms of isolation the Stellia offers some reduction in SPLs to those humans within earshot, but do not offer the primary listener much in the way of isolation from the outside world’s sounds. That can be a good or a bad thing depending on how much aural situational awareness you require versus how much isolation you need from your environment.

Although the Stellia are not inexpensive, their high efficiency and low impedance means that you do not have to expend a lot of cash on a high-power mega-headphone amplifier to drive them. I found that both the diminutive Schiit Magni 3 and IFI Zen DAC had more than enough power and bass control to make the Stellia sing and dance. I also used Focal’s Arche DAC/Pre/headphone amp coupled to the Stellia with excellent results. I was particularly impressed by the Arche’s robust macro-dynamics which slightly surpassed the two headphone amps I mentioned earlier.

So, to sum up, the Focal Stellia rank as a top-tier closed-enclosure headphone that delivers on all its promises – great sound, beautiful design, excellent comfort, premium parts, high compatibility with a wide range of headphone amplifiers, a full complement of cables supplied with the headphones, and a price commensurate with this level of excellence. So, if you can afford them, enjoy! I know I did during my time with the most excellent Stellia headphones. 


Type: closed-back headphones

Impedance: 35 Ohms

Sensitivity: 106dB SPL / 1mW @ 1kHz

THD: 0.1% @ 1kHz / 100 dB SPL

Frequency response: 5Hz–40kHz

Loudspeaker: 1.6” (40mm) pure Beryllium “M” shape dome

Weight: 0.96lb (435g)

Cables provided:
1 × 4ft OFC 24 AWG cable with 1/8” (3.5mm) TRS Jack connector
1 × 10ft OFC 24 AWG cable with 4-pin XLR connector
1 × Jack adapter, 1/8” (3.5mm) female – 1/4” (6.35mm) male

Dimensions: 250 × 240 × 120mm

Price: £2,899

Manufacturer: Focal



Read Next From Review

See all
Rogers LS3/5A SE stand-mount loudspeakers

Rogers LS3/5A SE stand-mount loudspeakers

The LS3/5A is an iconic design. Change it at your peril. Rogers is a classic maker of LS3/5A loudspeakers, and they just modified the LS3/5A. The LS3/5A SE replaces the front baffle of the loudspeaker with a new material and improves the sound. Will there be pitchforks and torches ready to burn the heretics, or does it make a good speaker better, asks Alan Sircom.

Line Magnetic

Line Magnetic LM-512 CA preamp/LM-845 Premium integrated/power amp

Line Magnetic has captured the hearts of many audiophiles with its high performance valve/tube amplifiers at extremely keen prices. But are they really a great deal? Jason Kennedy thinks so.

Amphion Argon 3S stand-mount loudspeaker

Amphion Argon 3S stand-mount loudspeaker

Having tried - and bought - the Amphion Argon 7LS floor-standers, Steve Dickinson wonders how do the smaller Argon 3S stand-mount loudspeakers compare.

Børresen Acoustics 01 Silver Supreme Edition stand‑mount loudspeaker

Børresen Acoustics 01 Silver Supreme Edition stand‑mount loudspeaker

In a world where loudspeakers are boring, in a time where people are held captive at home. One man, a renegade speaker designer, can change everything. Now. More. Than. Ever… Børresen: Rise of the Silver Supreme

Sign Up To Our Newsletter